ƒgƒbƒvƒy[ƒW‚É–ß‚é

ƒfƒBƒXƒRƒOƒ‰ƒtƒB[‚ÉŠÜ‚Ü‚ê‚Ä‚¢‚È‚¢ƒGƒŠ[EƒA[ƒƒŠƒ“ƒO‚̃Œƒp[ƒgƒŠ[

(‰ß‹Ž‚̉‰‘t‹L˜^‚¨‚æ‚Ñ–¢Šm”F˜^‰¹î•ñ‚©‚ç)

 

ÅI‰ü”Å“ú: 2019”N9ŒŽ20“ú(Ver.20)

© Ryuichi Iwata

 

  ƒoƒbƒniƒˆƒnƒ“EƒNƒŠƒXƒ`ƒƒƒ“j

      Bach, Johann Christian     1735-1782   ƒhƒCƒc

 

Žå‚ð‹°‚ê‚é‚à‚͍̂K‚¢‚È‚è Beatus vir  W. E17

EKurt Thomas/ Collegium Musicum des Westdeutschen Rundfunks, Tölzer Knabenchor, Elly Ameling, Roland Hermann, Theo Altmeyer, Maureen Lehane <Cologne : Westdeutscher Rundfunk, 1982> {New York Public Library}

 

  ƒoƒbƒniƒˆƒnƒ“EƒZƒoƒXƒeƒBƒAƒ“j

@@  Bach, Johann Sebastian     1685-1750   ƒhƒCƒc

 

ƒJƒ“ƒ^[ƒ^‘æ11”ԁuŒä‘‚É‚Ü‚µ‚Ü‚·_‚ð‚½‚½‚¦‚æv Lobet Gott in seinen Reichen (¸“VÕƒIƒ‰ƒgƒŠƒI Ascension Oratorio) BWV.11(1735‰‰‰)

EJohn Eliot Gardiner/ English Baroque Soloists (pre-1977, Monteverdi Orchestra), Monteverdi Choir, Elly Ameling(S) Alfreda Hodgson(cont-A) Alexander Young(T) Raimund Herincx(Br) <Sep.1,1971, Royal Albert Hall> (BBC Proms Archive)

ƒJƒ“ƒ^[ƒ^‘æ70”ԁu–ÚŠo‚ß‚æ, ‹F‚ê, ‹F‚ê, –ÚŠo‚ß‚æv Wachet! betet! betet! wachet ! BWV.70 (1723‰‰‰)

EHerman Schroeder/Collegium musicum des WDR, Madrigalchor der Staatlichen Hochschule für Music Köln, Ameling(S), Maureen Lehann(A), Theo Altmeyer(T), Siegmund Nimsgen(Bs) (gHermann Schroeder Komponist, Leher, Interpret: 25 Horbeispieleh, ISBN 9783875373196)

 

@ƒx[ƒg[ƒ”ƒFƒ“iƒ‹[ƒgƒ”ƒBƒqEƒ”ƒ@ƒ“j

@@  Beethoven, Ludwig van     1770-1827   ƒhƒCƒc

 

8‚‚̉ÌOp.52

|‘æ4‹Èu5ŒŽ‚̉́v(1796ˆÈ‘O)yƒQ[ƒeŽz

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Apr.2, 1986 ƒJ[ƒlƒM[Eƒz[ƒ‹> (WorldandI.com, Article 10961) (Carnegie Hall Performance History 1986)

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Frb.7,1988, Amsterdam Concertgebouw> {Beeld en Geluid-6953682}

 

  ƒuƒ‹ƒbƒNƒi[iƒAƒ“ƒgƒ“j

      Bruckner, Anton     1824–1896   ƒI[ƒXƒgƒŠƒA

 

ƒ~ƒT‹È‘æ1”Ô  ƒj’Z’² Messe Nr.1, D-Moll, WAB.26(1864)

EIskar Aribo/ Residentie Orkest, Toonkunstkoor Leiden, Elly Ameling(S) Annie Hermes(A) George Maran(T) David Hollestelle(Bs) Piet van der Kerkhoff(org) <Jul.5,1957, Stadsgehoorzaal Leiden> {het archief van Holland Festival}

 

 

@ƒJƒvƒŒiƒAƒ“ƒhƒŒj

      Caplet, André     1878-1925   ƒtƒ‰ƒ“ƒX

 

ƒ‰EƒtƒHƒ“ƒe[ƒk‚Ì3‚‚̋õ˜b(1919)

  1. ‰G‚ÆŒÏ

  2. ‹a‚Ɛä

  3. ˜T‚ÆŽq—r

|‘S‹È

EƒtƒFƒŠƒbƒNƒXEƒfEƒmƒxƒ‹(p) <Nov.27,1964> {Beeld en Geluid=27-11-1964}

|‘æ2‹Èu‹a‚Ɛäv

|‘æ3‹Èu˜T‚ÆŽq—rv

E¬—Ñ“¹•v(p) <Feb.26,1972, “ú”ä’JŒö‰ï“°>

‰ÊŽÀW‚ß Corbeille de fruits (1924) yS, flz

E•s–¾(fl) <Jan.27,1979> {Beeld en Geluid-6681855}

 

  ƒJƒŠƒbƒVƒ~iƒWƒƒƒRƒ‚j

      Carissimi, Giacomo     1605–1674   ƒCƒ^ƒŠƒA

 

ƒIƒ‰ƒgƒŠƒIuƒGƒtƒ^‚Ì•¨Œêv Oratorio gHistoria di Jefteh (1650ˆÈ‘O)

------Vittorio Gui•Ò‹È

EIskar Aribo/ Residentie Orkest, Toonkunstkoor Leiden, Elly Ameling(S) Annie Hermes(A) George Maran(T) David Hollestelle(Bs) <Jul.5,1957, Stadsgehoorzaal Leiden> {het archief van Holland Festival}

 

@ƒVƒ‡[ƒ\ƒ“iƒGƒ‹ƒlƒXƒgj

      Chausson, Ernest     1855-1899   ƒtƒ‰ƒ“ƒX

 

2‚‚̓ñd¥‹È 2 Duos Op.11 (1883)

|‘æ1‹Èu–év La nuit yT.de ƒoƒ“ƒ”ƒBƒ‹Žz

Eƒ‹[ƒgEƒtƒ@ƒ“Eƒfƒ‹Eƒ[ƒ‹(Br) ƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Jan.27,1979> {Beeld en Geluid-6681855}

 

@ƒhƒrƒ…ƒbƒV[iƒNƒ[ƒhj

@@@Debussy, Claude     1862-1918  ƒtƒ‰ƒ“ƒX

 

¼•— Zéphyr (1881)yT. de ƒoƒ“ƒ”ƒBƒ‹Žz

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Oct.18,1983, Amsterdam Concertgebouw> {Beeld en Geluid-6781038

ˆ¤‚µ‡‚Á‚Ä, ‚»‚µ‚Ä–°‚낤 Aimons-nous et dormons (ca 1981)yT. de ƒoƒ“ƒ”ƒBƒ‹Žz

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Oct.18,1983, Amsterdam Concertgebouw> {Beeld en Geluid-6781038

 

@ƒtƒH[ƒŒiƒKƒuƒŠƒGƒ‹j

      Fauré, Gabriel     1845-1924   ƒtƒ‰ƒ“ƒX

 

ƒŠƒfƒBƒA Lydia  Op.4-2 (1870?)yC.M. ƒ‹ƒRƒ“ƒgEƒhEƒŠ[ƒ‹Žz

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Sep.1, 1979, Wigmore Hall Concert> (Concert Program)

 

  ƒtƒ‰ƒ“ƒNiƒZƒU[ƒ‹j

      Franck, César     1822-1890   ƒtƒ‰ƒ“ƒX

 

6‚‚̓ñd¥ 6 Duos (1888) yS,A,pz

|‘æ5‹Èu‘¾—zv Solei (1888)

|‘æ6‹Èu’|×HŽt‚̉́v Le Chanson de Vannier (1888)

Eƒ‹[ƒgEƒtƒ@ƒ“Eƒfƒ‹Eƒ[ƒ‹(Br) ƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Jan.27,1979> {Beeld en Geluid-6681855}

 

@ƒwƒ“ƒfƒ‹iƒQƒIƒ‹ƒNEƒtƒŠ[ƒhƒŠƒqj

@@@HändelmHandeln, Georg Friedrich     1685-1759  ƒhƒCƒc¨ƒCƒMƒŠƒX

 

‰ÌŒ€uƒWƒ…ƒŠƒAƒXEƒV[ƒU[v Giulio Cesare  HWV.17 (1724‰‰‰Aƒƒ“ƒhƒ“)y‚R–‹A‘ä–{=ƒnƒCƒ€z

|”²ˆ

EƒRƒŠƒ“EƒfƒCƒ”ƒBƒX^ƒƒ“ƒhƒ“Œð‹¿Šy’c {Library of the North East of Scotland Music School}

ƒ†ƒgƒŒƒqƒgEƒfEƒfƒEƒ€ Utrecht te Deum  HWV.278 (1713)

EJack P. Loorij^Kunstmaandorkest, ƒIƒ‰ƒ“ƒ_Eƒwƒ“ƒfƒ‹‹¦‰ï‡¥’c, Aafji Heynis(A) Tom Brand(T) David Hollestelle(Bs) <Jun.18,1959, ƒwƒ“ƒfƒ‹–vŒã200”N‹L”OƒRƒ“ƒT[ƒg> {Beeld en Geluid-6450338}

Eƒxƒ‹ƒiƒ‹ƒgEƒnƒCƒeƒBƒ“ƒN^ƒRƒ“ƒZƒ‹ƒgƒwƒ{ƒEŠÇŒ·Šy’c, Toonkunstkoor Amsterdam, Annie Hermes(A)Tom Brand(T)Arjan Blanken(T)Leo Ketelaars(Bs) <Jul.9,1959> {het archief van Holland Festival}

 

@ƒnƒCƒhƒ“i[ƒtƒ‰ƒ“ƒcE] ƒˆƒ[ƒtj

      Haydn, [Franz] Joseph     1732-1809   ƒI[ƒXƒgƒŠƒA

 

ƒ~ƒT‹È‘æ10”ԕ󍒷’²uƒeƒŒ[ƒWƒAEƒ~ƒTv(1799) Hob. XXII:12

EJohn Eliot Gardiner/ BBC Symphony Orchestra, Monteverdi Choir, Elly Ameling(S)Patricia Kern(Ms)Philip Langridge (T)Stafford Dean(Bs) <1972> (BBC Proms Archive)

 

@ƒŒ[ƒ”ƒFiƒJ[ƒ‹j

      Loewe, Carl     1797-1869   ƒhƒCƒc

 

ƒtƒ@ƒEƒXƒg‚æ‚è‚̏îŒiOp.4, IX-1

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Apr.2, 1986 ƒJ[ƒlƒM[Eƒz[ƒ‹> (WorldandI.com, Article 10961) (Carnegie Hall Performance History 1986)

 

  ƒ}ƒ‹ƒNƒXiƒˆƒ[ƒtj

      Marx, Joseph     1882-1964   ƒI[ƒXƒgƒŠƒA

ƒmƒNƒ^[ƒ“yƒnƒ‹ƒgƒŒ[ƒxƒ“Žz

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Nov.29,1987, ƒTƒ“ƒgƒŠ[ƒz[ƒ‹>

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <1987, Carnegie Hall> (The New York Times) (Carnegie Hall Performance History 1987)

 

  ƒƒmƒbƒeƒBiƒWƒƒƒ“=ƒJƒ‹ƒj

      Menotti, Gian Carlo     1911–2007   ƒCƒ^ƒŠƒA¨ƒAƒƒŠƒJ

 

ꡂ©‚È‚é‰Ì Canti della lontananza (1967)yì‹ÈŽÒŽz

E‹¤‰‰ŽÒ•s–¾ <1967, New York & Festival Spoleto> {Talk with Larry Jackson, Kpfa-fm 1969}

E‹¤‰‰ŽÒ•s–¾ <for the Friends of Music at Dumbarton Oaks, 1969> {Commissioning and Performing Contemporary Compositions}

 

  ƒƒTƒWƒFiƒAƒ“ƒhƒŒj

      Messager, André     1853–1929   ƒtƒ‰ƒ“ƒX

 

Šì‰ÌŒ€uƒtƒHƒ‹ƒ`ƒ…ƒjƒIv gFortunioh (1907‰‰‰, ƒpƒŠ)y4–‹, ‘ä–{=ƒtƒŒ[ƒ‹‚¨‚æ‚уJƒCƒ„ƒ”ƒFz

  ‡@ƒtƒHƒ‹ƒ`ƒ…ƒjƒI‡AƒAƒ“ƒhƒŒæ¶‡BƒWƒƒƒNƒŠ[ƒk‡CƒNƒ‰ƒ”ƒFƒƒVƒ…‡Dƒ‰ƒ“ƒhƒŠ[, ‘¼

|‘S‹È

EAlbert Wolff^•ú‘—ŠÇŒ·Šy’c, •ú‘—‡¥’c‡@van der Geest‡AJos Burcksen‡BElly Ameling‡CJan Derksen‡DHans Wilbrink <Jan.3, 1959> {Beeld en Geluid-6453336}

 

@ƒ‚ƒ“ƒeƒ”ƒFƒ‹ƒfƒBiƒNƒ‰ƒEƒfƒBƒIj

      Monteverdi, Claudio     1567-1643   ƒCƒ^ƒŠƒA

 

‰ÌŒ€uƒIƒ‹ƒtƒFƒIv(1607‰‰‰, ƒ}ƒ“ƒgƒ”ƒ@)yƒvƒƒ[ƒO‚Æ5–‹, ‘ä–{=A.ƒXƒgƒŠƒbƒWƒ‡z

  ‡@ƒIƒ‹ƒtƒFƒI(T)‡AƒGƒEƒŠƒfƒB[ƒ`ƒF(S)‡B‰¹Šy‚̐¸‡CƒVƒ‹ƒ”ƒ@‡Dƒvƒ‹ƒg[ƒl‡EƒvƒƒZƒ‹ƒs[ƒi‡Fƒjƒ“ƒtƒ@‡GŠó–]‚̏—_‡HƒAƒ|ƒ‡IƒJƒƒ“ƒe, ‘¼

|‘S‹È

EJohn Eliot Gardiner/Philip Jones Brass Ensemble, English Baroque Soloists(pre-1977, Monteverdi Orchestra), Monteverdi Choir‡@Theo Altmeyer‡AVivien Townley‡BElly Ameling‡FEileen Poulter <Nov.9, 1969, Royal Albert Hall> (BBC Proms Archive)

 

@ƒ‚[ƒcƒ@ƒ‹ƒgiƒ”ƒHƒ‹ƒtƒKƒ“ƒOEƒAƒ}ƒfƒEƒXj

@@@Mozart, Wolfgang Amadeus   1756-1791  ƒI[ƒXƒgƒŠƒA

 

‰ÌŒ€uƒRƒVEƒtƒ@ƒ“EƒgƒDƒbƒev Cosi fan tutte  K.588(1790‰‰‰,ƒEƒB[ƒ“)y2–‹,‘ä–{=ƒ_E@ƒ|ƒ“ƒez

|“ñd¥ g‚ ‚ , –…‚悲——h Ah Guarda sorellaga y‘æ1–‹‘æ4‹È, ƒtƒBƒIƒ‹ƒfƒBƒŠ[ƒW‚ƃhƒ‰ƒxƒ‹ƒ‰z

Eƒ\ƒtƒBƒAEƒtƒ@ƒ“EƒTƒ“ƒe(Ms)ƒ}ƒEƒŠƒcEƒtƒ@ƒ“Eƒfƒ“Eƒxƒ‹ƒt^ƒIƒ‰ƒ“ƒ_•ú‘—Žº“àŠÇŒ·Šy’c<Feb.2, 1958> {Beeld en Geluid-6484916}

ƒAƒŠƒAu‚킪Š´ŽÓ‚ð‚¤‚¯‚½‚Ü‚¦, ‚₳‚µ‚«•ÛŒìŽÒ‚æv gNehmt meinen Dank, ihr holden Gönner!h K.383 (1782)

EEd Spanjaard^Nieuw Sinfonietta Amsterdam {Beeld en Geluid-6794750}

 

@ƒv[ƒ‰ƒ“ƒNiƒtƒ‰ƒ“ƒVƒXj

      Poulenc, Francis     1899-1963   ƒtƒ‰ƒ“ƒX

 

–îŽÔ‹e(1939)yG.ƒAƒ|ƒŠƒl[ƒ‹Žz

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Nov.30,1992, ’Ócƒz[ƒ‹>

2‚‚̎(1943)yL.ƒAƒ‰ƒSƒ“Žz

|‘æ1‹ÈuƒZ[ (C)v

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Nov.30,1992, ’Ócƒz[ƒ‹>

 

@ƒvƒbƒ`[ƒjiƒWƒFƒRƒ‚j

      Puccini, Giacomo     1858-1924   ƒCƒ^ƒŠƒA

 

‰ÌŒ€u’±X•vlv gMadama Butterflyh (1904‰‰‰,ƒ~ƒ‰ƒm^“¯”N‰ü’ù,ƒuƒŒƒVƒA)y2–‹,‘ä–{=ƒWƒƒƒR[ƒU&ƒCƒ‹ƒŠƒJ,Œ´ì=ƒƒ“ƒOz

|‚ ‚鐰‚ꂽ“ú‚É Un bel di, vedremoy‘æ2–‹‘æ1ê,’±X‚³‚ñz

E‹¤‰‰ŽÒ•s–¾ {gElly Ameling vocal avontur (Janny de Jong)h, pp.47}

‰ÌŒ€uƒWƒƒƒ“ƒjEƒXƒLƒbƒLv gGianni Schicchih (1918‰‰‰,ƒjƒ…[ƒˆ[ƒN)yŽO•”ì,1–‹,‘ä–{=ƒtƒHƒ‹ƒcƒ@[ƒmz

\Ž„‚Ì‚¨•ƒ‚³‚ñ O mio babbino caro yƒ‰ƒEƒŒƒbƒ^z

E‹¤‰‰ŽÒ•s–¾ {gElly Ameling vocal avontur (Janny de Jong)h, pp.47}

 

@ƒp[ƒZƒ‹iƒwƒ“ƒŠ[j

      Purcell, Henry     1659-1695   ƒCƒMƒŠƒX

 

ƒhƒ“ƒLƒz[ƒe‚ÌŠŠŒm‚ȏê–Ê The comical history of Don Quixote (1695)yM deƒZƒ‹ƒoƒ“ƒeƒX‚É‚æ‚é, T. ƒ_[ƒtƒB[‚ÌŒ€‚Ì‚½‚߂̋ȁz

|‚΂çF‚̏Z‚݉Ƃ©‚ç From rosy bowers

Eƒm[ƒ}ƒ“EƒVƒFƒgƒ‰[(p) <Nov.23,1967, KRO> {Beeld en Geluid-6438138}

‚Ü‚Ë‚²‚Æ‚ÌŒ‹¥ The mock marriage (1695) yT.ƒXƒRƒbƒg‚ÌŒ€‚Ì‚½‚߂̋ȁz

|’j‚͏—‚Ì‚½‚߂ɂ‚­‚ç‚ê Man is for the woman made

E²“¡–L•F(Lute) <Nov.29,1985, º˜a—Žq‘åŠwlŒ©‹L”Ou“°>

 

@ƒ‰ƒ‚[(ƒWƒƒƒ“=ƒtƒBƒŠƒbƒv)

      Rameau, Jean-Philippe     1683-1764   ƒtƒ‰ƒ“ƒX

 

‰ÌŒ€uƒCƒ|ƒŠƒg‚ƃAƒŠƒVv(1733‰‰‰,ƒpƒŠ)yƒvƒƒ[ƒO,5–‹,‘ä–{=ƒyƒŒƒOƒ‰ƒ“z

  ‡@ƒCƒbƒ|ƒŠ[ƒg‡AƒAƒŠƒV‡Bˆ¤‚̐_‡CƒfƒBƒA[ƒk‡D—rŽ”‚¢‚̏—«

|‘æ3–‹/‘æ4–‹

John Eliot Gardiner/English Baroque Soloists (pre-1977, Monteverdi Orchestra), Monteverdi Choir‡@Robert Tear‡AElly Ameling <Aug.27,1970, Royal Albert Hall> (BBC Proms Archive)

 

  ƒŒƒlƒXiƒJƒeƒŠƒi, ƒtƒ@ƒ“j

      Rennes, Catharina van     18581940   ƒIƒ‰ƒ“ƒ_

 

ƒ}ƒŠƒA‚Ì—cŽ™ Madonnakindje Op.54

EMarinus van et Woud/Gé Genemans, Rietvogels, Willy François, Symphonette Orkest <Sep.23,1957> {Beeld en Geluid-6428228}

‘¾—z‚Æ‰Ì Zon en zang Op.55

EMarinus van 't Woud /Klein Omroepkoor, Zilvervloot Orkest <Mar.23,1955> {Beeld en Geluid-6434897}

 

@ƒƒhƒŠ[ƒSiƒzƒAƒLƒ“j

      Rodrigo, Joaquín     1901- 1999      ƒXƒyƒCƒ“

 

12‚̃XƒyƒCƒ“–¯—w Doce Canciones Españolas(1965)yƒ‰ƒeƒ“–¯—wz

|‘æ8‹ÈuƒAƒf[ƒ‰vAdela

E‚؂؁Eƒƒƒ(g) <Jan.29,1996> {Beeld en Geluid-6794750}

 

  ƒ‹[ƒZƒ‹iƒAƒ‹ƒx[ƒ‹j

      Roussel, Albert     1869-1937   ƒtƒ‰ƒ“ƒX

 

2‚‚̒†‘‚ÌŽOp.12(1907~08)yH.ƒWƒFƒCƒ‹ƒY‚̉p–ó‚æ‚è, H.P.ƒƒƒVƒF•§Œê–óz

|‘æ1‹ÈuŽá‚¢‹Ml‚Ö‚Ìèñ‰Ìv

E¬—Ñ“¹•v(p) <Feb.26,1972, “ú”ä’JŒö‰ï“°>

2‚‚̉ÌOp.50(1933~34)yR.ƒVƒƒƒŠƒ…ƒvƒgŽz

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E¬—Ñ“¹•v(p) <Feb.26,1972, “ú”ä’JŒö‰ï“°>

 

@ƒTƒ“ƒT[ƒ“ƒXiƒJƒ~[ƒ†j

    @Saint-Saëns, Camille     1835-1921   ƒtƒ‰ƒ“ƒX

 

Œ©‚¦‚È‚¢“J Une flûte invisible (1885) yV.ƒ†ƒS[Žz

E•s–¾(fl) ƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Jan.27,1979> {Beeld en Geluid-6681855}

 

@ƒVƒ…[ƒxƒ‹ƒgiƒtƒ‰ƒ“ƒcEƒy[ƒ^j

@@  Schubert, Franz Peter     1797-1828   ƒI[ƒXƒgƒŠƒA

 

ƒ~ƒT‹È ‘æ6”Ô •Ïƒz’·’² D.950 (1828)

EƒJƒ‹ƒEƒ}ƒŠƒAEƒWƒ…ƒŠ[ƒj^ƒEƒB[ƒ“Œð‹¿Šy’c, ƒEƒB[ƒ“Šy—F‹¦‰ï‡¥’c, ƒ}ƒ‹ƒKƒŠ[ƒ^EƒŠƒƒ, ƒCƒAƒ“Eƒp[ƒgƒŠƒbƒW, ƒEƒFƒ‹ƒi[EƒNƒŒƒ“, ƒ}ƒ“ƒtƒŒƒbƒhEƒVƒFƒ“ƒN <Dec. 4, 5, 6, 1974, ƒEƒB[ƒ“Šy—F‹¦‰ï> (CARLO MARIA GIULINI Concert Register)

–œ—ìß‚̘A禱 Am Tage aller Seelen (Litanei auf das Fest aller Seelen)  D.343(1816) yJ.G.ƒ„ƒR[ƒrŽz

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Nov.25, 1981> {Beeld en Geluid-6754827}

Ž€‚Ɖ³— Der Tod und das Mädchen  D.531, Op.7-3

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Nov.25, 1981> {Beeld en Geluid-6754827}

EƒCƒFƒ‹ƒNEƒf[ƒ€ƒX(p) {Webcasted on Jun.30, 2019, WDR3}

‰Ô‚̋ꂵ‚Ý Der Blumen Schmerz  D.731

EFelix de Nobel(p) <Jun.23,1963> {het archief van Holland Festival}

 

  ƒXƒgƒ‰ƒeƒqƒGƒ‹iƒwƒ‹ƒ}ƒ“j

      Strategier, Herman     1912–1988   ƒIƒ‰ƒ“ƒ_

 

ƒIƒ‰ƒgƒŠƒIuƒcƒ”ƒFƒ“ƒeƒBƒ|ƒ‹ƒg‰¤v Oratorium gKoning Swentiboldh

EƒAƒ‹ƒxƒ‹ƒgEƒfEƒNƒŒƒ‹ƒN^–kƒIƒ‰ƒ“ƒ_EƒtƒBƒ‹ƒn[ƒ‚ƒj[ŠÇŒ·Šy’c, ƒn[ƒ‹ƒŒƒ€EƒJƒgƒŠƒbƒN‡¥’c, ƒn[ƒŒƒ€Eƒ}ƒŠƒAŠwZ­—‡¥’c, ƒgƒ€Eƒuƒ‰ƒ“ƒg, ƒŒƒIEƒPƒeƒ‰[ƒ‹ƒX(Br), ƒˆƒnƒ“ƒiEƒfƒB[ƒyƒ“ƒuƒƒbƒN <May 9, 1957> {Beeld en Geluid-6445158}

 

 

 

      Verreydt, Edward     1885–1949   ƒxƒ‹ƒM[

 

”ü‚µ‚¢‘Š l‚©‚ç Vanft schoone wiedsterke

EMarinus van 't Woud^Zilvervloot Orkest <Mar.5,1955> {Beeld en Geluid-6426020}

 

@ì‹ÈŽÒ•sÚ

 

 

ƒ}ƒ}A‹³‚¦‚Ä(Maman, dites-moi)

Eƒ‹ƒhƒ‹ƒtEƒ„ƒ“ƒZƒ“(p) <Nov.26,1985, •‘ –ìŽs–¯•¶‰»‰ïŠÙ>